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1930年
アラン氏の父である、3代目エリック・ブリューワー氏。この年に、ブリューワーに入社した。
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1938年
第二次世界大戦直前、本社はベルギーのブリュッセルに。この頃、すでにたくさんのネクタイのサンプルがずらりと並び、事業が拡大していたことが分かる。
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1938年
ウィーンでネクタイ生産のために、ファブリックをカットしているところ。
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1938年
ブリュッセルの本社。縫製も、職人が1枚1枚手仕事で行っていた。
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1946年
第二次世界大戦の直前にエリック・ブリューワー氏が避難した本社。
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1946年
ブリュッセル本社の窓は、シルク生地でディスプレイされていた。
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1946年
ブリュッセルにて、エージェントのミーティング風景。
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1957年
パリのシャンゼリゼ通りの近くで、有名俳優のエディ・コスタンティーヌにブリューワーのネクタイを見せるオートクチュールデザイナーのカルヴェン女史。
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int(216954)
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テディベアの柄は、1980年代にアメリカ市場で流行したそう。こちらはビビッドカラーをベースに、セーリングをするテディベア柄。
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逆に、ビビッドカラーでかなりコントラストを効かせたペイズリー柄も。
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ダブルリング小紋①
黒ベースのダブルリング小紋は、大柄グレンチェックに白シャツで、モノトーン合わせが◎。白シャツは、タブカラーやラウンドなどの襟型のほうが洒落感UP。スーツが無地だとタイの柄が目立ちすぎるが、これくらい大柄のチェック柄だと柄のバランスのまとまりがよくなる。
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ダブルリング小紋②
ジャケットの場合も同様で、ウインドウペーンなどの大柄が相性◎。この場合も、色みはモノトーンでまとめよう。シャツは①と同様にタブカラーで。ジャケットが少しカジュアルめの素材感ならレギュラーカラーもあり。
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クレイジークレスト柄①
黒ベースのクレイジークレスト柄は、柄の一色を拾うとバランスよくまとまる。ここでは、ブルーのロンストクレリックシャツ、チーフはパープルを差すことで全体的に統一感のある胸元に。
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クレイジークレスト柄②
紺ブレでシックにまとめた①に対し、こちらは黒のクレストを主役にした「柄×柄×柄」のコーディネート。こげ茶ベースにグレーのワイドストライプスーツ、ネイビーとベージュのストライプシャツを合わせた。こうした派手柄のネクタイの場合、シャツやスーツの柄の幅や色を調整すると、上手く馴染ませることが出来る。
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マルチカラードット柄①
ドットの一色であるイエローを拾ったストライプシャツに、チーフもイエローをチョイス。シャツとネクタイ、チーフでかなり色を使っているので、スーツはダークブラウンで落ち着かせるのがポイント。
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マルチカラードット柄②
ネクタイのブラウン基調を生かし、今度はコットンウールのベージュスーツを。ここでもネクタイの色を拾って、白ではなくミントグリーンのクレリックシャツを合わせ、クラシックながら色合いで軽さを出しているのがポイント。チーフにもペールトーンを入れて統一感を。
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