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前田紗希
Saki Maeda（1993〜）
18_5　116.7×91cm

三角形をモチーフに人間や物事の多面性を描く。「芯の強さを感じる作品。モダン建築との相性もよいです」。

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江上 越
Etsu Egami（1994〜）
星の時間-声のために　116.7×91cm

“ずれ”を生かした抽象的な肖像画。「国際的に活躍中。豊かな色彩が魅力の、第三世代のアーティストです」。

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塩田千春
Chiharu Shiota（1972〜）
Connection with the Universe 30×30cm

糸を用いたインスタレーションを中心に、様々な作品を制作。生と死、記憶など、形にないものの表現を追求する。

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高瀬栞菜
Kanna Takase（1994〜）
えらばせて　60.6×72.7cm

人間社会の表裏、揺れ動くポジション争い、隠された感情などを、動物や植物、モノに置き換えてユーモラスに描く。

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高瀬栞菜
Kanna Takase（1994〜）
みえないことみないこと　65.2×53cm

人間社会の表裏、揺れ動くポジション争い、隠された感情などを、動物や植物、モノに置き換えてユーモラスに描く。

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椿 昇
Noboru Tsubaki（1953〜）
Google Impressionism_03 97×145.5cm

国内外で活躍する現代美術家。巨大バルーンを用いるなど、強いメッセージ性を含んだ作品を数多く手がける。

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品川 亮
Ryo Shinagawa（1987〜）
あじさい　50×37.5cm

伝統的な日本の絵画に革新を起こしている旗手。「未来の巨匠。常に進化を目指している姿勢からも刺激を受けます」。

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香月美菜
Mina Katsuki（1989〜）
0:34:57　100×50cm

300種類以上のブルーを生み出すブルーのマジシャン。「自宅やオフィスの壁に飾ると一気に気分が明るくなります」。

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藤本純輝
Atsuki Fujimoto（1997〜）
Olive_05　116.7×91cm

布をはがしたり染めたりしながら、草木や花を表現する。「うちへ来てもらったときも『好きな風景がたくさんあったのでスケッチしながら来た』と。はがした跡が山本の『Y』に見えて、個人的に気に入っています」。

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西垣肇也樹
Hayaki Nishigaki（1985〜）
遺ルコトト思イマス　82×162cm

ゴジラをモチーフに、和紙と墨で多彩な世界を描く。「彼は現代の葛飾北斎。その世界観は果てしなく、社会風刺的メッセージも込められている。現代絵巻のストーリーは見飽きることがありません」。

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面高 慧
Kei Omotaka（1987〜）
右・Childhood#1　7×10cm／左・Dinner Time　6.9×9cm

犬などの動物を主人公にして、彼らが人間社会の中で生活する様子を描く。「どこかクリティーク（批評性）が込められているように感じます」。

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岡西佑奈
Yuuna Okanishi（1985〜）
青曲No.83　100×100cm

書道家。「小さく描かれた鮫の泳いだ跡にも見えるし、文字にも見える。コンテンポラリーな作品です」。

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太田桃香
Momoka Ota（1997〜）
週末浮かぶ　116.7×91cm

愛知県立芸術大学の現役大学院生。ダイナミックなタッチと鮮やかな色使いで山を描く。

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東條由佳
Yuka Tojo（1991〜）
KYOTO（kawaramachi）　116.8×91cm

河原町を歩く人の服の皺を描いた一枚。「アーティストは皆何かのオタクで、彼女は“皺オタク”」。

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能條雅由
Masayoshi Nojo（1989〜）
haze#8　91×116.7cm

銀箔を用いて森を描く。「光の具合で緑に見えたり、色がなくなったり。最初に買った作品です」。

" } }